About this image

Turning the "Cinematic" Dialogue Camera off when talking to DiMA is a much better visual experience; he's so perfectly framed against the background, and with the camera focusing solely on him instead of constantly cutting to the player, it really adds to his role in the story as a sort-of Synth Messiah. The way his figure contrasts against the red lights on the pillar behind him really emphasizes and draws your attention to his unusual body.

For a game I generally dislike from an aesthetic perspective, this is probably one of the most distinctly *Fallout* bits of imagery I'd associate with not only FO4, but the franchise as a whole.